image of guitar
Ring O Bells
contact us

Upcoming Events

25-Apr-14
Patsy Reid ..the Scottish Fiddler
Holy Trinity Church 8pm

16-May-14
Barn Dance in aid of Springboard Opportunity Group
7.30 Grove Sports Centre Nailsea

18-May-14
Award winning Old Time American Music with Adam Hurt and Beth Williams Hartness
Backwell Parish Hall 7.30pm

23-May-14
Breabach Award winning top Scottish Band
Nailsea Tithe Barn 8pm

click for events

myspace
See us on Myspace!

events

Music and Memory dates:

Sundays: 2.00 - 4.30 Free

Relaxed, fun afternoon afternoons in the Barn with a wide range of lovely music; ideal for people with
dementia and carers but open to anyone.

Autumn dates:  18 August, 22 Sept, 20 October, 17 Nov, 15 Dec

Monthly View

25 Apr 14 Patsy Reid ..the Scottish Fiddler

location: Holy Trinity Church 8pm

Fri 25 April Patsy Reid show   Holy Trinity Church £10 .plus a Scottish fiddle playing workshop beforehand detail to follow….

Only two years after leaving the brilliant and loud Breabach, Patsy Reid has become the most in demand traditional fiddle player in the UK. She hasn’t stopped working.

On any given day in the last couple of years you could’ve seen Patsy performing as part of The Cecil Sharp Project or Kathryn Tickell’s Northumbrian Voices, or at the London 2012 celebrations with Zakir Hussain’s Pulse of the World. She played with The Unusual Suspects and The True North Orchestra, accompanied Kathryn Roberts and Sean Lakeman on tour, as well as forming a new string trio called VAMM. There were numerous Celtic Connections commissions and a residency in Kolkata, India. And in the studio Patsy is a one woman string quartet, contributing cello, viola and violin to albums by Duncan Chisholm, Bella Hardy, Treacherous Orchestra, Tim Edey and… There are almost certainly more we’ve missed out.

But after all that collaboration it’s time for Patsy herself to take centre stage. Some might say it’s not before time. But not Patsy.

“I’ve never wanted to be The Patsy Reid Band, but I reached a stage where I could see myself only working on other people’s amazing projects and never having enough time to do something of my own. So I’m taking the risk that I might have to say no to something exciting, and I’m investing in my own music. I wouldn’t want to regret not giving myself the chance to do that.”

Asked to describe what makes her such a unique and admired musician and composer, Patsy shrugs and says: “I just play like Patsy.”

But just playing like Patsy means combining skills and techniques from both traditional and classical backgrounds. As a child she first learnt to play tunes by ear at the Alasdair Fraser fiddle camp on Skye. As a teen she made the trip to Alasdair’s sister camp in California, where she learned her trademark percussive chopping style – a technique she introduced to Scotland. On top of that she has a Post Grad Diploma in Classical Violin Performance from the Royal Northern College of Music. And it’s these disciplines that give Patsy ultimate control over the bow – allowing her to virtually sing through the instrument.

Fellow fiddle player Aidan O’Rourke from the band Lau says: “She has an accuracy and tone that many fiddlers only dream of. She has truly mastered her instrument and has developed a unique style which seems to grow in depth and maturity each time I hear her.”

English folk singer Jim Moray reckons: “Patsy transcends simply being a folk musician. She has an understanding of what to play and when and how to play it that rivals the best of any genre. And her morris dancing is coming on – in a few years she’ll be quite competent.”

And the celebrated Northumbrian piper Kathryn Tickell says of Patsy: “She’s a fantastic          musician, a lovely fiddle player and a joy to be with. No wonder everybody wants to work with her.”

But for now, everybody will have to wait. Patsy has begun work on her first solo album since 2008’s Bridging The Gap – a recording of her rapturously received Celtic Connections commission that joined folk and classical through a self-penned set of tunes that explored the seven modes of modern music. Her latest album marks the start of a new chapter in Patsy Reid’s remarkable musical story.

For audiences this is the chance to hear one of our finest and most distinctive musicians emerge from  behind the bagpipes and… play like Patsy.

16 May 14 Barn Dance in aid of Springboard Opportunity Group

location: 7.30 Grove Sports Centre Nailsea

Barn Dance with the infamous live band Fougere Rouge!  7.30 Grove Sports Centre

 

Lots of fun and fiddles in aid of this local charity which supports disabled children

Tickets are £10 inc ploughmans ring 01275 341113 or email info@springboardweb.org.uk

 

www.springboardweb.org.uk

18 May 14 Award winning Old Time American Music with Adam Hurt and Beth Williams Hartness

location: Backwell Parish Hall 7.30pm

Adam Hurt and Beth Williams Hartness are two award winning old time musicians wirh vrituoso clwhammer banjo, guitar finger picking, fiddle and vocals on tour form the states.This will be an evening of intimate and appealing music.

7.30 at Backwell Parish Hall, Station Road Backwell

advance tickets £9, £10 on door.

also pre-gig afternoon banjo workshop with Adam Hurt in Backwell. Clawhammer/old-time. Suitable for intermediate level players. 2:00-4:00pm. Cost £30.

www.adamhurt.com

NB:  This event is beign arranged by one of our folk club members, and the folk club will not be issuing tickets.

To book contact: Mike Bostock 01275 545630

T: Mike Bostock 01275 545630

23 May 14 Breabach Award winning top Scottish Band

location: Nailsea Tithe Barn 8pm

Fri 23rd May Breabach  Tithe Barn 8pm   £14

One of the most celebrated and successful Scottish folk bands of recent times, Beabach command the stage with flare, charisma and a sound that is as expansive as it is distinct. Powered by double bagpipes, flute and fiddle, this uncompromising force is further fueled by the tight groove of double bass, guitar and step-dance. Their enviable musicianship and adaptability is elegantly displayed through the thoughtful arrangement and delivery of songs.

Recent line up changes have given the band a new edge, energy and focus, and with increasing popularity and fast growing international recognition it is little wonder Breabach received nominations for ‘Best Group’ at both the 2011 and 2014 BBC Radio 2 Folk Awards and the Scots Trad Music Awards.

Dynamic, fun, and extremely talented , Breabach have found yet another gear and continue on their trajectory to the very top of the trad and roots music scene.

“…stirring tunes and top notch songs… there will be few who can sit still when listening to these brilliant tunes, brilliantly played.”

http://breabach.com/